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A miniature painting, as the name signifies, is an intricate, colorful illuminations or painting, small in size, executed meticulously with delicate brushwork. The colors used in miniatures are generally derived from natural sources and materials. Some of the paintings use pure gold and other precious gems and stones to extract the colors for beautifying these miniature paintings. India has a long and varied tradition of miniature paintings.



Sensory Integration: Children who have an opportunity to play with diverse media and in different sensory settings are better able to develop their sensory systems. Allowing a child to spend time in the sensory environments he finds most comfortable, gives him the inner strength to cope with those he finds more challenging and then gradually build his sensory system to be able to cope with them.



Our next step is mixing the oil paint. DO NOT SKIP THIS STEP. Obviously you will need to buy some paint thinner, but the most important product you will need is Penetrol $12. Take a plastic quart cup that you will be painting out of and fill it up about three quarters with paint. Now mix in a couple of tablespoons of Penetrol and the slightest amount of thinner. Mix it up with a stick real good and you are ready to go. Why Penetrol? This product is the key to a fantastic looking job. Penetrol will not only smooth out the finish it will extend the time (usually about 20 minutes) before the paint starts to get sticky. This will allow you to apply a glass like finish and eliminate brush marks. We are going to apply two coats here as well so don't glob on the paint. When you are painting the door frames get used to the paint and watch your drips. After about ten minutes or so you will get used to how the paint flows and how damn good your finish looks. Allow to dry overnight before apply second coat. Tip: after you apply the second coat remove the tape and don't allow to dry first. You will get a little paint on your hands from the tape, but deal with it. By removing the tape now you will ensure crisp lines. In some case when you allow the second coat to dry you will pull a bit of the oil paint off. It is not common, but in my opinion why take the chance.


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We also know that showing a child how to do something has far less educational impact on him than providing him with the material and allowing him to play and experiment and discover for himself.



Step two: Now roughly draw onto the canvas what you want to create in paint. Don't worry, it does not have to be perfect. Your cool application of paint from your innermost imagination will make it look good. If you mess up with the pencil, simply erase it off and start over. Warning: resist the urge to simply copy some artist's painting from the past. That's career suicide, and so boring. You're smart, make your own art. It's much more interesting and unique. A copy of a painting from the past has the sole purpose of making you look like a copycat, and who needs that on their resume? Remember, deciding WHAT to paint is the hardest part. But once you get into the flow it will come to you, I promise. Paint from your own life is the best career advice as a painter. Truth is more bizarre than fiction anyway. And I believe people like to kind of know what they're looking at, as opposed to simply painting a solid layer of red and calling it art. Be creative, go with the flow, don't over think it. Paint what you want to paint and the world will ultimately find it interesting. After all, it's YOUR art. Painting nature is always a good idea, as nature never goes out of style.



OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.