Doctor tools coloring pages doctor tools coloring pages sketch coloring page doctor tools coloring pages

doctor tools coloring pages doctor tools coloring pages sketch coloring page doctor tools coloring pages

WALL PAINTING TIPS. · Paint around the trim first, including edging around the ceiling. · When painting with a gloss finish, make the final brush strokes away from the light source of the room. The tiny ridges that a brush leaves won't be as pronounced. Use the same "wet to dry" method of painting.



Like this, it will actually take quite a while to reach a number that is close enough to the yellow color you've chosen that you can't tell any difference (and mathematically, you will never actually reach an average of 4!)



Solvent or oil-based paints are used where a tough, durable finish is required for interior and exterior timber, masonry and furniture - although, as mentioned above, the new generation of acrylics and multi-surface paints offers viable alternatives. In general, brushes need to be cleaned with turpentine or white spirit.


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Mewar School of Painting: These represent hunting scenes which are painted on cloth and handmade paper using stone colors



The correct roller to use depends on the texture of the wall. On smooth walls you will need a 1/2" nap and on textured surfaces it will be more like a 3/4" - 1" nap depending on how rough the texture is. I always recommend a lamb skin, it will lay the paint off the best and provide maximum coverage. A roller pole is also great for saving your back, shoulder and arms from repetitious bending over and extension. If you will be using the roller for a couple of days, the same rule applies as with the brush, seal it in plastic completely to preserve it for the next day. Do not leave the roller submersed in paint or water over night, this will cause premature failure, by releasing the skin from the hardboard backing it is attached to. If you will be rolling a rough texture, like a stucco, make sure to purchase a roller frame (arm) that is sturdy and will hold up to constant applied pressure.



OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.